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Posted by admin on December 14th, 2022

Ana de Armas & Eddie Redmayne – Actors on Actors

In their Actors on Actors conversation Ana de Armas goes in depth on what it took for her aquire the infamous Marilyn Monroe voice in Netflix’s ‘Blonde.’ Eddie Redmayne compares his experiences in the Harry Potter world of ‘Fantastic Beasts’ to giving humanity to a serial killer like Charles Cullen in ‘The Good Nurse.’

Posted by admin on December 14th, 2022

Ana de Armas and Eddie Redmayne Bond Over Marilyn Monroe’s Dark Side and Choosing Roles ‘Far Away From What You Look Like’

Cuban star Ana de Armas made waves with her controversial take on Marilyn Monroe in Andrew Dominik’s “Blonde,” an adaptation of Joyce Carol Oates’ novel about the late star. De Armas’ endlessly emotive performance makes an interesting contrast to London-born Eddie Redmayne, tightly controlled in “The Good Nurse,” as serial murderer Charles Cullen, whose crimes eventually raise the suspicions of the film’s title character, Amy Loughren (Jessica Chastain). In conversation, de Armas and Redmayne rave about each other’s work — an especially meaningful compliment for de Armas, as Redmayne knows his Monroe: He starred opposite Michelle Williams in 2011’s “My Week With Marilyn.”

Ana De Armas: I’ve been a big admirer of yours for a long time. I remember going to the premiere of “The Danish Girl.”

Eddie Redmayne: Really?

De Armas: And the after-party. I was just blown away by your performance. So it’s pretty surreal to be here with you today.

Redmayne: I was astounded by your work in “Blonde.” It was one of those rare performances where you want to go and hold that person afterwards and check that they’re OK. Your range is insane, comparing “Blonde” to your other work.

De Armas: Look who’s talking.

Redmayne: Was this the first real person that you’ve played?

De Armas: This is the second, but a completely different approach. The first person I played was in this movie “Hands of Stone,” and I was playing Roberto Durán’s wife, who I was friends with. I spent Christmas with them in Panama. She was Panamanian, and Cubans are the same people, basically.
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Posted by admin on December 12th, 2022

‘The Good Nurse’ Star Eddie Redmayne Found Humanity in the Inhumane for the Netflix True Crime Drama

The Oscar winner reveals the struggle to understand his character even though the film never explains his devious nature.

In Tobias Lindholm’s Netflix drama The Good Nurse, Eddie Redmayne plays real-life serial killer Charlie Cullen, who at first seems like a sweet, docile hospital nurse until it’s revealed over the course of the film that he’s been stealthily killing perhaps hundreds of patients — for no apparent reason. Fellow Oscar winner Jessica Chastain stars as Cullen’s colleague Amy Loughren, who discovers Cullen’s crimes and fights a corrupt medical system to expose him.

Loughren’s fight served as the subject of Charles Graeber’s nonfiction book of the same name, which became the basis for the script by Krysty Wilson-Cairns (a best screenplay Oscar nominee for 1917). Loughren met with both Redmayne and Chastain prior to filming and even visited the set. After six years of production, with stops and starts as funding came and went, her story is finally out in the world. It debuted at No. 1 on Netflix’s English-language films list, reaching the top 10 most watched in 93 countries and garnering particular praise for Redmayne’s haunting performance.

THR spoke with the actor about preparing to take on such a daunting role, what it was like getting into the head of a killer, working alongside such a formidably talented co-star, and the experience of speaking with the real Loughren ahead of filming.

I understand the filmmaking was a six-year process. What was your first impression of the script, and what caused it to take so long?

I knew nothing about the story, which was the best way to go into this. As Krysty Wilson-Cairns’ script unfolded, what I found extraordinary about it was it didn’t seem to fit comfortably into any specific genre. I knew that Tobias [Lindholm] was directing it, and I’ve watched his work, particularly A Hijacking and A War, and was just so astonished by his vision of the world. And getting to spar alongside Jessica, who I think is one of the greats — that combination felt extraordinary. I was very quickly in, but then the studio let it go, and we were trying to reconfigure it somewhere else. Even though our schedules kept not matching, we remained passionate — I’m so thrilled that we did stay with it.
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Posted by admin on December 1st, 2022


An English actor with multiple awards to his name, including an Oscar for his role as Stephen Hawking in The Theory of Everything, Eddie Redmayne is an animated, passionate, visceral performer. A fan of striking characters such as a pioneering transgender woman in The Danish Girl, he has just finished six months on stage for an avant-garde revival of the play Cabaret, while playing the role of Newt Scamander in Fantastic Beasts, the prequel to Harry Potter.

Leading the interview is one of the actor’s biggest fans: Kim Jones, artistic director of Dior Homme and Fendi’s women’s collections. Eddie Redmayne tells us about his passion for art and his process for getting into character, as well as his latest role in The Good Nurse, a film based on the true story of a serial killer nurse. This against-type role is complemented by his brilliant screen partner Jessica Chastain. The Good Nurse, directed by Tobias Lindholm, hits Netflix today Wednesday 26th October.   


I had been acting since I was seven or eight years old at school and it was a place where I had always found an amazing release. Theatre was somewhere where I instantly felt comfortable. I loved that you would meet all sorts of people. Even at the school level, you’re doing plays with people of different ages and breaking down the traditional hierarchies in some ways. I loved doing it through school and into university, but my other passion was the history of art, so I had to make the decision as to whether to go to drama school or whether to pursue art history.

I was lucky enough to get into Cambridge, and I knew they had a great reputation for theatre there, so I decided to study history of art as a major, whilst trying to continue to explore acting at the same time. Art has become quite important to me within the process of acting and in a personal sense when I travel. And travel is one of the great upsides of the job I do, since I’m always taken to extraordinary cities and places for work, and I’m able to visit the galleries whilst I’m there, which I find constantly feeds me.

At the same time, I try to use art when I’m trying to work out who a character is. So in addition to all the factual research, I will often go to see how other artists, writers or painters have interpreted those people or people of that era in order to glean another way in, as it were.
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Posted by admin on November 15th, 2022

Jessica Chastain, Eddie Redmayne aim for utter authenticity in true-crime saga ‘Good Nurse’

“The Good Nurse” tells the true story of Charles Cullen, a seemingly empathetic New Jersey nurse who was later revealed to be a serial killer. But instead of a tawdry potboiler, this adaptation of Charles Graeber’s 2013 true-crime book is a fragile drama about the friendship between Charlie and one of his co-workers, a lonely, ailing single mother named Amy Loughren, who thought she’d found in this kindly stranger a support system and a confidant.

Amy befriends the new hire, in part, because she recognizes in Charlie the same warm, nurturing manner she herself exudes around her patients. But like the viewer, Amy is seeing only one aspect of this sweet, soft-spoken man: She’s not aware he’s secretly injecting lethal drugs into saline bags, resulting in a series of mysterious deaths at the hospital.

The film had been in development for several years, and for that entire time its two stars were determined to stay on the project. No matter how dark the material — and no matter how hard it was to align their schedules — Eddie Redmayne and Jessica Chastain wouldn’t let “The Good Nurse” go.

“I don’t know that in Hollywood that a movie’s been around for six years and all the main players stayed on and no one got replaced or abandoned ship,” Chastain says proudly.

The two actors are relaxing in a suite at the London West Hollywood, reflecting on the effort it took to bring the movie to fruition. From the start, they agreed they wouldn’t do it without each other — or “A Hijacking” director Tobias Lindholm, knowing he’d insist on utter authenticity for this portrait of working-class life and America’s dysfunctional healthcare system. (He even made his stars attend nursing school.)
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Posted by admin on November 3rd, 2022

Eddie Redmayne gets serious (again)

After three outings in the Potterverse, the Oscar-winning actor – and one of Hollywood’s nicest guys – is ready for his villain phase

Last summer, after he had wrapped his latest movie, The Good Nurse, and just before he began rehearsals for his Olivier-winning West End revival of Cabaret, Eddie Redmayne went back to school. Not university, or some kind of brush-up-on-the-classics adult education class, but rather, a very specific and very renowned academic institute – the École Internationale de Theatre Jacques Lecoq. Or, as it is more colloquially known, clown school.

For two weeks, in a converted 19th-century gymnasium in Paris, Redmayne took a course in the Theatre of the Absurd, where he spent his time, as he puts it, “improvising and playing.” But clown school is no funny business. The course was demanding, and his instructors, who’d studied with the legendary Lecoq themselves, were brutally honest, even withering. “There was none of this kiddie glove stuff,” Redmayne tells me as he does his impression of them. “Non, je ne marche pas!” he says, menacingly wagging a finger in front of his nose. No, I’m not buying it.

Redmayne’s classmates ranged in age from 18 to 60, all professional performers of some stripe or other. But Redmayne was the only one there who had won an Academy Award for Best Actor. He was the only one who had starred in a billion-dollar-grossing movie franchise. And yet, he felt like a complete amateur. That was the whole point. He wanted to start over, in a way, to expose himself, to really try and shed any of the actorly tics or patterns that had accrued over his 20-year career. “It was everything I needed,” he says of Lecoq. “To remind myself that you need to keep learning.”

We’re sitting in a hotel suite in Toronto, a couple of days after his 4-year-old son, Luke, has just started school himself for the first time back home in London. Redmayne’s an attentive and proud parent – he wouldn’t have missed Luke’s first day for anything – but he nevertheless had to fly out shortly after for the global premiere of The Good Nurse at the Toronto International Film Festival (TIFF). Redmayne’s family (which also includes his wife Hannah Bagshawe, a publicist, and their six-year-old daughter, Iris) had in fact lived with him in New York while he shot the film, but there was no way he was taking the kids out of school for the festival. “I didn’t think it was ideal for us all to up and leave on day two,” he says, smiling broadly.
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Posted by admin on October 26th, 2022

‘The Good Nurse’ Star Eddie Redmayne On Playing a Serial Killer Who Weaponized Empathy

Eddie Redmayne’s children aren’t that impressed by his acting career. So he was caught off guard when his six-year-old daughter asked him if he was a wizard. Though she has never seen any of the “Fantastic Beasts” movies, in which Redmayne stars as Ministry of Magic employee Newt Scamander, she had just caught a bit of a trailer.

Redmayne tells Variety‘s Awards Circuit Podcast that he wasn’t sure how to respond. “That’s one of those moments in life where, partly you want to be the cool dad and go, ‘Yeah, I’m a wizard!’ and the other part of you doesn’t want to lie to your children and set them off in the wrong direction,” Redmayne recalls.

The Oscar winner then tried to showcase his sorcery skills. “I got out a coin and did a slightly shoddy magic trick to make the coin disappear and she was like, ‘Okay that’s good. But in that trailer I saw, you managed to make a building disappear.’ So I think she’s seen through my lack of wizarding prowess.”

On this edition of the award-winning Variety Awards Circuit podcast, Eddie Redmayne (“The Theory of Everything”) talks about his new role in “The Good Nurse,” which has put him in the Oscar conversation for best supporting actor. He also discusses his time in “Fantastic Beasts” and what’s coming next. Listen below!
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Posted by admin on October 26th, 2022

Eddie Redmayne: ‘The aspiration is always to make a great film and I don’t think I’ve made many of those’

For his latest role the Fantastic Beasts actor relished the chance to ditch the tweed suits and play against type as an American serial killer, he tells Kevin Maher

Six years ago, Eddie Redmayne put the word out. The Oscar-winning star of The Theory of Everything, who was already shooting the first instalment of the Fantastic Beasts franchise, let it be known that he wanted a change. Yes, he had become famous for a certain kind of moral rectitude in lavish period dramas that included Birdsong, The Other Boleyn Girl and Les Misérables (his tearful rendition of Empty Chairs at Empty Tables from that film has been viewed 7.4 million times on YouTube), but enough was enough. “It was me actively saying that I’m looking for something different. Something not British. Something, ideally, where it’s not me wearing a tweed suit.”

It has taken a while, during which time he has bashed out two more Fantastic Beasts and enjoyed a last dip in the period trough (The Aeronauts), but Redmayne’s desires have finally been met. In The Good Nurse all bets are off. The 40-year-old is in full reinvention mode as the prolific American serial killer Charles Cullen, a former nurse who during the 1980s, 1990s and 2000s is said to have murdered as many as 400 patients. Redmayne stars opposite Jessica Chastain, playing Amy Loughren, the co-worker who helped to bring Cullen to justice. And although Redmayne insists today that the film tilts towards Loughren’s “hero’s journey”, the sexy marketing sell is clearly “Newt Scamander does Hannibal Lecter”.

And he does it well. His Cullen is top-tier Redmayne, a mass of creepy physical touches (a blinkless smile, an off-kilter stare) and conflicted gestures perfected over three months of deep-diving research. “I found as much footage of Charlie as I could and I learnt the accent, I learnt the movement, and then I even went to nurse school, where I found out that I’m a f***ing useless nurse!” he says, chuckling at his inadequacies. Redmayne does this a lot. Good-natured self-deprecation. He is sipping decaf coffee in a swanky London hotel suite and wearing a crisp red and white “western-style” shirt that suggests a friendly yet slightly fragile cowboy. He peppers his conversation with asides about being not very good.
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Posted by admin on October 17th, 2022

Eddie Redmayne Discusses Vision of ‘Good Nurse’ Director Tobias Lindholm, Jessie Buckley’s Performance in ‘Cabaret’

Attending the Zurich Film Festival for the screening of his latest film, “The Good Nurse,” Eddie Redmayne spoke about his desire to work with director Tobias Lindholm, the joy of watching Jessie Buckley’s performance in “Cabaret” and the disappointment of missing out on “Games of Thrones.”

“The Good Nurse,” which Variety’s Tomris Laffly describes as “soulful” and “devastating,” tells the true story of nurse Charles Cullen, who confessed to murdering at least 29 patients but who may have in fact murdered as many as 400 people, and fellow nurse Amy Loughren (Jessica Chastain), who helped solve the case. It’s based on the book “The Good Nurse: A True Story of Medicine, Madness and Murder,” by Charles Graeber.

“I was sent the script and I knew nothing about the film,” Redmayne said, taking part in a Zurich Film Festival master class. “The story unraveled in front of my eyes and I couldn’t believe that I didn’t know about this story. I also thought it was extraordinary because the piece felt impossible to pigeonhole.”

It’s a story about a “real-life superhero,” a woman who manages to accomplish things that the system is unable to do, he explained. “We’re so used to violence being used to attack violence, whereas in this film, it’s about empathy and compassion being used to stop this man from doing these horrific things.”

Redmayne was also keen to work with Lindholm. “I had seen his films and was a massive admirer of his work. And I was desperately looking to be in a film with someone with a vision … and that’s a rare thing. Tobias has a vision.”

“I went in with very high expectations, and the making of it, working with Jessica, working with Tobias, working with Krysty [Wilson-Cairns], our writer, and Scott [Franklin], our producer, superseded all of those expectations and actually reinvigorated something in me about what the process of filmmaking should be.”
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