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Posted by admin on September 8th, 2021

Eddie Redmayne at The ATG Summer Party

Eddie Redmayne attends the ATG Summer Party hosted by Ambassador Theatre Group CEO Mark Cornell and Sienna Miller in support of Sir Sam Mendes and his Theatre Artists Fund at Kensington Palace on September 6, 2021 in London. You can go to the gallery to take a look to the photos.



Posted by admin on July 13th, 2021

Eddie Redmayne at the Wimbledon Day 9

Eddie Redmayne attended day 9 of the Wimbledon Tennis Championships at the All England Lawn Tennis and Croquet Club on July 07, 2021 in London. You can go to the gallery and enjoy the photos!



Posted by admin on July 13th, 2021

Eddie Redmayne, Peter Farrelly Circling Russo Brothers’ Cambridge Analytica Movie

The prestige project represents an edgy departure for the Russos’ company AGBO Films.

Oscar winner Eddie Redmayne is attached to star in the untitled Cambridge Analytica movie for Joe and Anthony Russo’s company AGBO Films, which is in talks with two-time Oscar winner Peter Farrelly to direct, Collider has exclusively learned.

A representative for AGBO had no comment.

Avengers: Endgame scribes Christopher Markus and Stephen McFeely wrote the script, and the project is financed and ready to go into production, though just like last year when we reported that Matt Shakman was in talks to direct, it’s still anyone’s guess as to when that will actually be. The project was initially slated to be directed by David Gordon Green.

Redmayne is poised to play Christopher Wylie, the pink-haired data consultant who hatched the idea of Cambridge Analytica, a data analytics firm that illegally harvested the personal data of 87 million Facebook users in order to influence Donald Trump’s presidential victory and the Brexit vote. Wylie’s guilty conscience led him to become a whistleblower and tell his story, both in court and in the press, and it was an article in The Guardian by Carole Cadwalladr that was acquired by AGBO and serves as the catalyst for this project.

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Posted by admin on May 21st, 2021

Eddie Redmayne to return to London theatre in Cabaret with Jessie Buckley

Eddie Redmayne will return to London theatre, for his first West End role in 10 years, to play the Emcee in Cabaret opposite Jessie Buckley as Sally Bowles. An intimate revival of the classic musical is set to recreate the Weimar-era Kit Kat Club for an audience capped at 550 from this November.

The show will be designed by Tom Scutt, choreographed by Julia Cheng and directed by Rebecca Frecknall, whose acclaimed Almeida production of Tennessee Williams’s Summer and Smoke transferred to the West End in 2018.

Frecknall said Cabaret had always been “dear to my heart”, and that she was in awe of her creative team, “who have come together to create a bold new production as well as a new Kit Kat Club, a bespoke home where we can truly embrace and unlock the world of Cabaret for a new audience”.

The show – which charts the friendship between Sally, an American performer at the riotous Kit Kat, and a shy Brit, Brian – is set against the rise of the Nazis in 1930s Berlin and unflinchingly depicts antisemitism and persecution. Frecknall said it was an important musical and that its revival comes “at a time when its themes and atmosphere feel so contemporary and resonant”.

With music by John Kander, lyrics by Fred Ebb and a book by Joe Masteroff, Cabaret is based on the play by John Van Druten and stories by Christopher Isherwood. It opened on Broadway in 1966 and won eight Tony awards; the 1972 film version picked up the same number of Oscars. Joel Grey played the lascivious Emcee both on stage and screen, performing in the musical numbers that interlink the drama. Grey told the Guardian last year that Cabaret took on a “heinous and terrifying subject: the Holocaust” at a time when “there were a lot of people who just wanted to forget about it. They tried to write it out of textbooks.”

Redmayne first played the Emcee 20 years ago in an Edinburgh fringe production. His last West End roles were in Red (in 2009), as the assistant of painter Mark Rothko (played by Alfred Molina), and as Shakespeare’s Richard II (in 2011), both of which were staged at the Donmar Warehouse. Buckley was recently acclaimed for her performance in a film version of Romeo and Juliet shot at the National Theatre. [Source]



Posted by admin on May 7th, 2021

CABARET to Return to the West End; Eddie Redmayne and Jessie Buckley in Talks to Star

The production is expected to begin performances at Playhouse Theatre in November 2021.

According to Baz Bamigboye of The Daily Mail, Kander and Ebb’s classic musical Cabaret is headed back to the West End stage in an all-new production.

According to the report, Academy Award-winning actor Eddie Redmayne and BAFTA nominee Jessie Buckley are currently in final talks to portray the Emcee and Sally Bowles, respectively.

The production is expected to begin performances at Playhouse Theatre in November 2021.

Two-time BAFTA nominee Jessie Buckley was most recently seen in the National Theatre film production of Romeo and Juliet. Buckley first rose to recognition as a finalist on the Oliver! reality competition series, I’d Do Anything. She has been seen on the West End in Stephen Sondheim’s A Little Night Music. Her notable screen credits include Chernobyl, I’m Thinking of Ending Things, and Fargo. Her film roles include Beast and Wild Rose.

On Broadway, Redmayne co-starred with Alfred Molina in the award-winning John Logan play RED for which he took home a Tony Award for Featured Actor in a Play in 2010. He originated the role at the Donmar Warehouse in London where he won the coveted Olivier Award for Best Supporting Actor. His film work includes the Les Miserables, Harry Potter spinoff Fantastic Beasts and Where to Find Them, The Danish Girl, and The Theory of Everything, for which he won the Academy Award for Best Actor.

Cabaret features some of the best-known songs in musical theatre, including “Willkommen,” “Maybe This Time” and “Cabaret.”

The musical premiered on Broadway in 1966 and won eight Tony Awards, including Best Musical, in addition to the New York Drama Critics’ Circle Award, the Outer Critics’ Circle Award, the Variety Poll of New York Critics, and London’s Evening Standard Award. [Source]



Posted by admin on April 7th, 2021

The cast of ‘Trial of the Chicago 7’ on their SAG Awards win

Instead of congregating on the stage of Los Angeles’ Shrine Auditorium for their best-ensemble win at the Screen Actors Guild Awards, the cast of “The Trial of the Chicago 7” called in on Zoom.

For a video conference, they make a starry bunch. Logging in from around the world were Sacha Baron Cohen, Eddie Redmayne, Frank Langella, Mark Rylance, John Carroll Lynch, Ben Shankman and other members of Aaron Sorkin’s historical courtroom drama.

After winning the guild’s top honor, the cast spoke briefly with The Associated Press in an interview recorded Thursday before Sunday’s broadcast of the pre-taped awards. Here, slightly edited for clarity, are their remarks.

AP: You’re an especially varied group of actors with quite different styles and approaches. How did you coalesce as an ensemble?

EDDIE REDMAYNE: A lot of credit has to be given to Francine Maisler, who was our casting director. All of the characters represented in the film were so unique and so specific. I think she collected a group of actors who had completely different styles and completely different outlooks on the way to approach work. For me, what I loved when I got to see a cut of the movie was that you saw that. It was like a clash of different types of music, whether it was jazz or rock or classical — but all of that coming together under Aaron. He was the conductor, almost. So I give Aaron and Francine a huge amount of credit. It was a joy day-and-day-out to watch these great and different and varied actors slugging it out.

FRANK LANGELLA: There is something very powerful about working toward the greater good. Actors have a tendency to think about themselves a lot. How’s my lighting? Am I going to get my close-in my scene? But as I said in my speech, Aaron rose above that and caused all of us to do that.

JOHN CARROLL LYNCH: When you take a job in a movie called “The Trial of the Chicago 7,” there’s an assumption that it’s going to be an ensemble picture. It’s a self-selecting group of people who want to work with others so intimately and being willing to risk their own process in such quarters. It is a tribute to the casting and to Aaron’s script but also to the actors who said “yes.”

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Posted by admin on March 12th, 2021

Eddie Redmayne: 2021 Photoshoots added

I have added 2 new photoshoots from 2021 of Eddie Redmayne to the gallery so, you can go there to take a look to the photos and enjoy!



Posted by admin on March 12th, 2021

Eddie Redmayne: 2021 Magazine Scans

Hello everyone!

I have added some magazine scans of Eddie Redmayne from 2021. You can go to the gallery and enjoy the photos!



Posted by admin on March 6th, 2021

Michaela Coel and Eddie Redmayne back campaign to raise cash for theatre workers

Some freelancers have been out of work for a year and are ineligible for Government schemes.

Michaela Coel and Eddie Redmayne are among the stars backing a campaign to raise money for the Theatre Artists Fund ahead of the anniversary of theatres closing.

They will be joined by Maxine Peake, Harriet Walter and Ruth Madeley in encouraging donations to the fund, which provides emergency financial aid to struggling freelance theatre workers.

Theatres around the country closed their doors last March amid the global pandemic and only a few were able to re-open with social distancing in between lockdowns last year.

Stars have also been revealing their ‘turning point’ – a moment in their career when they were almost forced to give up but received a helping hand.

Redmayne has revealed the turning point in his career was in 2003 when he was working in a pub and failing to land any parts before someone took a chance on him and cast him in a play.

In Coel’s video, she discusses the two bursaries she received that allowed her to pursue her creative career.

On March 16 they will be joined by more famous faces, theatre lovers and people across the industry sharing selfies in support, using the hashtags #16March, #TheatreArtistsFund and #FirstInLastOut – referencing the fact that theatre workers were first into lockdown and will be among the last to return.

The Theatre Artists Fund was set up in July 2020 by director Sir Sam Mendes, the Society of London Theatre and UK Theatre.

It has since given out £5.5 million across 5,359 individual grants, made possible by donations from a range of organisations and individuals, including the Backstage Trust.

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Posted by admin on February 4th, 2021

Eddie Redmayne on ‘The Trial of the Chicago 7’ Camaraderie and Film’s Parallels to America Now

For Netflix’s movie, centering on the riots during the 1968 Democratic National Convention in Chicago, the Oscar-winning actor immersed himself in the role of Tom Hayden, activist and former husband of Jane Fonda, while finding parallels to recent events “most revelatory.”

Eddie Redmayne, a 2015 Oscar winner for playing Stephen Hawking in The Theory of Everything, once again takes on the role of a historical figure in Netflix’s The Trial of the Chicago 7. As Tom Hayden, the late anti-war activist who was charged alongside six others for inciting riots during the 1968 Democratic National Convention in Chicago, Redmayne stands out in a star-studded cast that includes Sacha Baron Cohen, Mark Rylance, Yahya Abdul-Mateen II, Frank Langella and Michael Keaton — all while delivering dialogue written by Oscar-winning screenwriter Aaron Sorkin, who also directs. Redmayne spoke to The Hollywood Reporter about the camaraderie on set, the ways in which the film parallels America today and some words of wisdom from Hayden’s former wife Jane Fonda.

What were your first reactions to the script?

There was great anticipation when it arrived in my inbox because I am an admirer of Aaron’s work. I’m a slow reader, and it was one of the quickest things I’ve ever read. I had this extraordinary feeling of having just learned about a moment in history that I was pretty ignorant about. It felt almost like a piece of music — clashes of jazz, classical, punk and all in a quite extraordinary story about some quite extraordinary people. There was a lightness of touch to it that was perhaps the most revelatory thing. He made it feel so easy.

Were you familiar with the events depicted in the film before reading the script?

I wasn’t. I’d heard about Abbie Hoffman, but I wouldn’t have been able to place him. I knew little about the peace movement. I had actually just watched the great documentary [The Vietnam War from Ken Burns] and got some insight for the first time, properly, about the war. It was starting to work this job that was an education for me.

What kind of research did you do to learn more about Tom Hayden?

One of the wonderful things about the job we do is you get to immerse yourself in a moment in history, in stories that are extraordinary, and through that immersion, you learn a huge amount. In doing the homework, as it were, I read Tom’s work and found as much footage that I could of him. There were great courtroom sketches of Tom that gave a sense of his physicality — it was almost like seeing him, caught by another artist, revealed something else. But you do the homework, hoping to have it embedded in you, and then [you must] be able to throw it away and play opposite these other actors. Aaron was very open to all of us that this was his version of events. He described it as a painting, not a photograph.

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